LongHouse Reserve Celebrates Axel Vervoordt at New York Benefit

L-R: Martha Stewart, Axel Vervoordt, Adelaide de Menil, Jack Lenor Larsen

"Axel Vervoordt is a non-conformist, which is dear to my heart. He’s a modernist who embraces every period. He does not use his rooms for modern furniture, but for the best furnishings in the world, and, notably, the best art.” Thus declared Jack Lenor Larsen on Wednesday night when LongHouseReserve honored Axel at the Hearst Tower. 

Matko Tomicic, executive director of LongHouse, welcomed guests and introduced Dianne Benson, president of the Board who said, “We are here tonight honoring a man who defies being defined by a single word. So we are right in presenting his award by a woman who also challenges conventions and titles, conceptual artist Kimsooja,” who in turn said, “It is a great honor and pleasure for me to celebrate Axel Vervoordt and his legacy tonight, on the occasion of the prestigious LongHouse Award." The artist continued, "The honor also goes to LongHouse and its mission to reflect world culture and inspire creative talent." 

In accepting his award, designed by Marc Leuthold, Axel gallantly offered, “Thank you all for coming. I don’t know if I deserve it, but I always do my best,” then delivered a fascinating presentation on design and his theories of art, light, and space. A smaller group of just 50 retired afterwards to Adelaide de Menil's remarkable Central Park South duplex for dinner, where each guest was presented with a signed copy of Axel’s newest book, Stories and Reflections, which is not yet available in the US.

Among the guests were Sandy and Steve Perlbinder, Adelaide de Menil, Martha Stewart, Sherri Shultz, Sherri Donghia, Julie Jensen, Kay Hall, Newell Turner, Mark and Elizabeth Levine, Nina Gillman, Suzy Slesin and Michael Steinberg, Chris Mead and Zoe Hoare, Harvey and Audrey Feuerstein, Catherine and Nathan Bruckner, Judi Roaman, Nick and Christina Martin, Lindsay and Fitzhugh Caleo, Kang Chang, Dianne Benson, Jack Lenor Larsen. 

Photos by Patrick McMullen